Tuesday, October 30, 2007

Monster Magnet: 4-Way Diablo (Weekly Dig, 10/30/07

You know what they say about the tears of a clown when no one's around? Dave Wyndorf is a misunderstood rock clown, although it's all his fault: When you get down to it, he's a crooner who alternates tales of woe-is-me-i-am-passed-out-amidst-a-thousand-strippers with exultations to his own rock godliness that you can tell even (especially) he doesn't buy. Using stoner rock bluster as a subterfuge for pity-me bottoming out is a strategy as old as Stone Temple Pilots, but Wyndorf is undeniably the "real deal" if only because he is a real down-on-his-luck scumbag, and on MM's seventh full-length and Wyndorf's first post-overdose record boy is that ever true. I recommend traipsing carefully over MM-by-the-number bombs like "You're Alive" and "No Vacation" to get to the emotional core: the opening title track, with it's mix of Nuggets-era psych crunch and Eastern modality, contains this couplet, clearly sung by a naked Wyndorff, 25 tabs into a trip to infinity, staring himself down in hard judgment: "I see you kissing yourself in the mirror now/And I can tell that you like what you see/I caught you sucking the life out of me"; and the final track, a plaintive tune called "Little Bag of Gloom" is one of the most compellingly brutal songs ever written to yourself about what an idiot you are for overdosing. Most MM fans will hate this album because it has acoustic guitars in the background and is produced to be halfway listenable, and no one else will care because they've all had it with Wyndorf's shit by now. Too bad, because this record rules.

GENRE | WALLOWED ROCK

VERDICT | GETTING OVER HIMSELF, OR NOT

RELEASE | 11.6.07

LABEL | STEAMHAMMER US

MONSTERMAGNET.NET

Wednesday, October 24, 2007

Neil Young: Chrome Dreams II (Weekly Dig, 10/24/07)

Neil Young is a difficult man and with every new release you don't know whether you are going to get eyeball-melting fuzz guitar solos or a cringe-inducing piano ballad album with sketchy accompaniment or a play about a small town and its small town values. Chrome Dreams II is an album that does not really benefit from explanation: A lengthy album front-loaded with some very old songs that is ostensibly a sequel to a bootleg. Huh? The record also contains some tracks recorded almost 20 years ago, thus explaining why one track makes a lyrical reference to Lee Iacocca. But getting into lyrical preoccupations and all that other stuff isn't answering the question that Neil Young fans really want answered when a new CD comes out: Is there a 15-minute-long jam with Mr. Young's trademark guitar scuzz splattered all over it? Answer: yes. "No Hidden Path" doesn't have the guitar-as-grim-reaper-scythe dark majesty of "Cowgirl In The Sand" or "Cortez The Killer," but that's because this is a pretty upbeat album from a man who has, temporarily, already emptied his barrel of bile (on last year's Living With War) and is ready to contemplate the world around him with the stoned reverie of an old man persona that he continues to grow into.

GENRE
| BURNT OUT ROCK

VERDICT | WHERE ALL THE COWBOYS WENT

RELEASE | 10.23.07

LABEL | REPRISE

NEILYOUNG.COM